Once we get within sight of a final version, we’ll get together again and go over everything.

Usually, though, we’ll end up rewriting each other to some extent, and it goes back and forth, with Sandy taking out my material and putting hers back in, and vice versa, with everything changing a little each time, until we either reach a version we both like, or one of us wears the other one down. Sometimes something will be right the first time, and then we just sign off on it, and it’s done.

Then we go off and write a first draft and email what we’ve written to each other. What’s actually going on, though, is that we’ll get together to work out the outline of something, and pick sections to do. HM: To an observer, it would probably look like we’re idling in cafes all day, laughing loudly and annoying people. SN: For me, the thing that inspired me to write HNTWAN was Howard.ĭamian: What was the collaboration process like, co-authoring a book together? In the proposal for the book, we acknowledge that anyone who had been in publishing long enough, and had been paying attention, could have written this book, because what’s in it are things every editor knows. Our sensibilities sort of pointed to it, and it was just a matter of time until one of us noticed. It occurred to me that a book like this could be done, and we were the ones to do it. We were both members of the Writer’s Room, a shared office space for writers, and we were spending a lot of time in the kitchen, drinking coffee and making writer jokes. At the time, Sandy was teaching, I was editing, and we were both working on novels. HM: I can’t point to anything in particular that inspired it.

What inspired you to write How NOT To Write a Novel? Mittelmark and Newman talk about the necessity of an agent in the publishing process and weigh in on the upcoming presidential election.ĭamian: In addition to writing this useful how-not-to guide for aspiring authors, you are both novelists as well. Fortunately, they managed to spice up the interview with their own brand of wit.

I briefly considered exploring my own mis-example of ‘how not to conduct an interview’ by asking them probing personal questions, digging up dirt on the secret lives of their pets, and ending with an embarrassing confession or two of my own but alas, I decided to go with the traditional approach. I was looking forward to their responses, having already become a fan of their humor, as demonstrated by the many mis-examples provided in their manual for aspiring novelists. In follow up to my recent review of their helpful and hilarious book, How Not To Write a Novel, Howard Mittelmark and Sandra Newman kindly took time to answer a few interview questions.

Read This Next by Howard Mittelmark